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Our Souls inc.

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Everything posted by Our Souls inc.

  1. Wez, you UK chaps have all the cool axes, eh? Thats about what I'm doing only backwards ( me - not them .... ) Thanks for the linky.
  2. Neato. I am utilizing this in my present build. but only on the bass side of the HS.
  3. Just taking a guess here, but it looks like the screw-head and the gear are not perfectly centered. Could be the angle, but maybe there is a bushing that used to go in between the screw and the gear? or maybe you can change the screws to something with a bigger shank but same thread size/count? just passin on some ideas...
  4. One of my first builds was a neck through. one piece Teak. Done a small batch of bolt-ons and set-necks since then. To me - its about the type of bridge being used. I like neck through for floyd rose tremolo set-ups or a good hard-tail bridge. ( no neck angle needed ) For a TOM bridge I like the set-neck over the neck thru. or a bolt-on neck. More due to the ease of angling a neck pocket Vs. angling a neck-thru blank. Now, none of this means anything as far as sustain/tone goes, just ease of building ( to me at least ). So, in my opinion, set Vs. thru is up in the air , more dictated by the type of hardware I'm going to use. I've seen no 'proof' that one was better than the other so far.
  5. heck, keep it rollin. As long as its going well, why drag it out? how long till its done?
  6. Rockler huh? Thanks for posting that. I went through nearly 10 oz on the bear. I needs some more. SR yeah, but that bear was awesome!
  7. Pine? my opinion is to pitch it. well, don't pitch it. Guinea pig candidate tho for sure.
  8. I was actually refering to the other neck ( post#11 picture 1 ), it looks like BW with Sapele stripes , sorta the opposite of this one. I was wondering if you were going to build another one like this, but with the other neck......
  9. I'm working on a chambered bass right now myself... I hope it turns out anywhere near as good as this one is looking. Love the drilled relief holes for the body cut out too. Thanks for sharing. Even if I don't use it on a whole body, the inner horn radii and other tight turns will definitely benefit from this.
  10. Death Pool on the points is still going on..... the only way they're gonna break is serous blunt force trauma....... I've used it a bunch - no neck dive, no broken points, but the upper fret access isn't all it should be either. Good till around 18 to 20 then its a bit awkward getting to the last 4...... o wells. can't win em all. If I ever build another , I'll do more of a scoop out on the bottom horn. Great tone tho. Mixing down several tracks right now - will be youtubing them soon.
  11. RAD - sorry I didn't remember this wood combo when I started my bass. Seems like I copied your choices , but it wasn't intentional. Like all your threads, this one is looking good as it goes. I must've missed it , but whats the reason for the polar-opposite neck? I like the looks of that one. All red n stuff. The reverse HS looks good too. Although I hope the new owner isn't a 'axe-spinner' .... could kill the singer or bassist. lookin forward to more of this one.
  12. That "Map" Strat was actually posted here by me just because I was in total AWE when I saw it. You are a true artist in my eyes. Thanks for posting.
  13. ...or, y'know, don't. Use a wood dye designed for the purpose that at least has some history of remaining colour fast over the years. Your kool-aid guitar may look good in 10 years time, but it may look really, really bad. A bottle or two of trans tint aren't that expensive. You must not have kids.......... but you have a good point. Even though red 'professional' dyes fade out , the kool aid might fade too. It hasn't yet ( 1 year ) , but we'll see in a decade more.
  14. The PH is just going to be two accent stripes in the body to seperate the BW stripes and the padouk. I'm doind a side-rout chamber-job... attempting to chamber the body without putting on a top. Right now I have two wings, and a center section made of 5 strips laminated. I'll leave the bridge area untouched, but want to hollow out the body to take some weight off.......
  15. don't laugh, but try red kool-aid. ( wear gloves.... for cripes sake wear gloves... ) I built a red ML out of birds eye maple ( very blonde ) and Teak ( very brown ) and the red kool-aid blended them together great. Not identicle, but certainly a lot closer than what it was. Try it out on your scraps. you never know...
  16. http://projectguitar.ibforums.com/index.ph...=44336&st=0 check that out. its black limba and mahogany.
  17. Couldnt you just stick upraised lettering on the wood master to get the same effect on the molded version?
  18. ... and here we are. The neck-thru blank was pretty hefty. Still uncarved it had a nice ring to it and nice straight grain. it was just heavy. so, I thought out a solution and cut it short enough to do a bolt-on version instead. With that completed I now needed a new construction method for the body , which caused me to evaluate what wood I have ready and go from there. So - my current thoughts are : Neck - BW Body - Padouk wings surrounding a laminate strip of purple heart / BW / Sapele / BW / purpleheart The body will be chambered heavily , which will be fun since it aint gettin a top. Should weigh a lot less now than it was going to , but we'll see I guess....... for fretboard wood I have Ebony ( coffee-bean colored stuff ) Rosewood ( orange-ish ? ) and purple heart. Any favorites out of those?
  19. Nope. Spanish cedar is realy cool. makes a nice neck & a realy good sounding guitar overall. I use it for Les paul type builds with maple, beech or birch tops.
  20. Not sure if you're familiar with this technique or not yet... I just found it today and though I'd share... I hope the owner of this site doesn't mind being linked to because this is cool as heck as far as I'm concerned..... http://www.grevenguitars.com/GrevenGuitars.html Guess its a Martin thing from many, many moons ago. Click on the "Extras" tab to see a detailed tutorial on doing them yerself. Interesting reading on the site also includes the tidbit about spanish Cedar being used for guitar necks. I thought cedar would be too soft for a stable neck. Learnin' every day.......
  21. Definitely drool worthy. Love the Gumby headstock, it looks great with the traditional-ish body . Very simple, yet it looks like its got a huge tone. I think of Molly Hatchet when I see P-90's . Craftsmanship looks to be top notch, - and I knew you meant Mahogany neck, I was just funnin. My only criticism is that you used Dimarzio strap locks, which I hate. No plastic clips for me thanks ! lol ( I know, I know , Steve Vai uses them.... ) I just like the ones I use because you can still use a normal strap if you want to......... You definitely made a beautiful V tho.
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