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Pete's Piccolo Bass


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5 hours ago, Norris said:

Call me shallow, but I'd go for the bling gloss finish :)

I know where you're coming from, Norris, but Pete has spoken! :D

And he's choosing tactile over bling.

Actually, with the sun at last coming out for a couple of house for me to be able to see it properly, I think this looks OK too.  It certainly feels wonderful.  Probably one more coat and buff will do it:

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I'm waiting for some hardware before I can string it up and workout if I need to reshape the volute a bit but, in the meantime, I've popped the magnets onto the hatch and truss-rod cover:

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Excepting some unforeseen disasters or hitches, this should be finished by the end of this week.  Can't believe how fast it's gone...

 

 

 

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Someone on one of the other forums was asking about the body profile on this.  

Here it is:

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I've done variations of this idea on a number of builds, including my own bubinga fretless.  There are some limits, and there are some areas you need to be careful about, but it:

  • Takes a useful amount of weight out
  • Feels great to play.  Rests on the paunch very nicely ;)
  • It allows a much slimmer neck heel:

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I've been fiddling about with permutations and combinations of the hardware.

As discussed earlier, I generally steer clear of gold, but the colours of the wood are just shouting out for something more than black to set them off. Chrome also wasn't quite right when I tried a couple of items.

I tried gold tuners - they suited the headstock much more than the black. I tried a gold pickup ring - that looked the ticket. But gold bridge elements - screamed bling and cheap. So with some mixing and matching of components, I've come up with this:

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What do you reckon?

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1 hour ago, curtisa said:

Can you mix and match the tuner components? What about gold buttons and bushings with black gears and shafts?

Edit: or the opposite - black buttons/bushings, gold gears and posts.

Ha - I was thinking of black bushes with gold elsewhere, just to balance up the black 'n' gold theme. It would also look good with black buttons too as Curtisa suggests. Black outer & gold inner at the headstock end to match the bridge. You certainly need some black at the tuner end

Edited by Norris
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4 hours ago, Andyjr1515 said:

What do you reckon?

I reckon you've struck gold.....with that combo. That is a very classy look, and it really accentuates the colors in the top.

You are getting good advice on the tuners too, if you can work that out.

You need to find an off-cut of that top and finish it just like the top plus clear, so we can see what we missed.

SR

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8 hours ago, curtisa said:

Can you mix and match the tuner components? What about gold buttons and bushings with black gears and shafts?

Edit: or the opposite - black buttons/bushings, gold gears and posts.

Well, I think this might be a case of great minds think alike :thumb:.  You mean like this :

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I'm pleased with this :)

I strung it up this evening just to do the 'first fitting'.  Predictably, plays like a lemon :lol:  Lets hope that's suffixed with 'at the moment'

Oh - and it weighs 5lb 12oz and yet is full-size in terms of a 6 string electric.  Couple more tuners and another pickup would still sit at no more than 6lb.

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Thanks, folks :)

Here it is with the first fitting of the strings.  Need to tweak the frets a touch in places, raise the bridge on an ebony plate so I can drop the saddles, fit a brass nut, finish off the volute and fit the electrics but I'm hoping I can pass this across to Pete by the end of next week.  I also will be fitting some small ferrules in the back of the bridge elements - these are large telecaster ones I happened to have in my bits box.  They are needed because they are guitar strings with small ball ends and larger bass bridge string retainers... 

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I'll do the fancy shots when I've got hold of the intended brass nut and decided what strings suits it best (I've got two flatwound jazz electrics and two bronze acoustics on it at the moment :)  )

I've wired it up '58 Les Paul Junior style to give the maximum tonal opportunity.  I sounds good, even though I still have no idea what one is really supposed to sound like :D

Here it is:

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I'm pretty pleased with it, especially as it's probably the last build I'll do for Pete (unless he has more money than sense!)

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You might know that I'm a big Claypool fan, Andy. I'd love a piccolo bass myself as I learned the mixed hybrid techniques Les plays, and they suit 4-string piccolos nicely.

Example at 0:40

 

This guy play's a lot of Primus covers and had a copy of Les' Carl Thompson black Walnut piccolo bass made. It shows how a piccolo bass can function as a nice cross between the use of a bass and a guitar's function in a band:

 

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I don't think Les ever tuned up into the range piccolos are normally found, however the scales (32"?) and number of frets make the instrument more open for exploration than a basic style of bass. Hell, you make of an instrument what you can regardless I guess....

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Thanks, folks :)

Well, brass nut is cut and installed and so I can pronounce this as officially finished! :hyper

Here are the final shots for those that aren't thoroughly bored by the 'almost there' photos :

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Thanks for all the encouraging comments along the way :D

 

 

 

 

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